Animator Jonathan Djob Nkondo Reissues Two Graphic Novels

Jonathan Djob Nkondo, known for his surreal production design work on projects like the animated sci‑fi series Scavengers Reign and the Gorillaz short film The Mountain, The Moon Cave and The Sad God, is turning attention back to his roots as a comics creator. The French artist, who built an audience through animation, has reissued two of his earlier self‑published graphic novels in a newly lush format.

Those familiar with Nkondo’s visual language will recognize the same sensibilities in the printed work: strange alien ecologies, densely detailed landscapes, and a future society aesthetic that blends melancholy and wonder. In a recent conversation with The Verge, Nkondo noted that many followers may not realize he originally published comics, and revisiting those books felt like a natural way to reconnect with an earlier part of his practice.

The reissues aim to present the material with updated production values while preserving the idiosyncratic storytelling that defined the originals. For long‑time fans, the books offer a fresh opportunity to own physical editions of work that previously circulated in smaller runs. For newcomers, they provide a different entry point into Nkondo’s creative world than his better‑known animation credits.

Repackaging and promoting earlier work can also serve practical goals: it extends an artist’s catalogue across media, introduces older stories to new audiences, and can create a collectible object for supporters. Nkondo’s step back into print underscores a broader pattern among visual artists who shift between comics, illustration, and screen work as each practice informs the others.

Details such as print runs, formats, and ordering options were highlighted alongside images of the new editions. Fans interested in the reissues can follow Nkondo’s official channels for availability updates and any related events or signings tied to the release.