Rachika Nayar's 'Heaven Come Crashing' Explores Soundscapes

Rachika Nayar's latest musical offering, Heaven Come Crashing, is making waves for its intricate sound design and surprising rhythmic choices. Fans of her debut album, Our Hands Against The Dusk, might be taken aback by the inclusion of percussion, as her first record was entirely devoid of it.

The title track, "Heaven Come Crashing," features a massive drum and bass beat that drops in unexpectedly about two and a half minutes in. This is a significant shift from Nayar's previous work. While Heaven Come Crashing is largely percussion-free, Nayar sprinkles in moments of rhythmic intensity. For instance, the track "Tetramorph" includes rapid-fire mechanical hi-hats, and "Gayatri" has a snare subtly mixed into the background for its latter half.

It's not until the seventh track that Nayar unleashes a full drum explosion, only to quickly return to the ambient, soothing textures of "Sleepless." This dynamic approach to rhythm and sound creates a compelling listening experience, showcasing Nayar's evolving artistry and her willingness to experiment with new sonic territories. The album invites listeners to explore a rich tapestry of electronic music, where moments of powerful beats are artfully contrasted with expansive, atmospheric soundscapes.